
As part of my mission to see a production in all of the fine and plentiful theaters in this fine city of ours, I, just last night, saw a small play at the
Center House Theater. Tucked away in what I soon discovered was the theater complex of Center House Theater, I eventually (and with the kindly help of my friends) found the venue in question: Theater 4.
Theater four is not so surprisingly nestled away and down a corner on the 4th floor of the Center house at the Seattle Center. The tricky part is that when I purchased the tickets online I simply made note of “Center House Theater” and did not dig any deeper. So, naïve, little me showed up with just about 15 minutes to spare, walked into the north entrance of the food court building at the Seattle Center and then…was at a loss. For you see, I had assumed that the theater where I had recently viewed Cyrano was in fact my destination. Oh ho! No, no, that is in fact the Shakespeare Production Theater at the Center House, of course. I on the other hand, apparently, was looking for something else entirely.
I was saved some considerable trouble by my conscientious friend whom was waiting somewhere above me for the show to begin. She called to warn me of this very thing and informed me that I should go up to the 4th floor. Walking up the front steps I did in fact see a sign that said, “Center House Theater” and “Cash on Delivery” and a nice hefty arrow pointing to the right. This was immensely reassuring, for Cash on Delivery was indeed the very play that I was seeking. However, lest you should have missed it, there was absolutely no mention of the fourth floor on that reassuring and covertly misleading sign.
So, ever the rule follower, I turned right and cleverly assumed that the sign intended that I should use the ancient elevator rather than the restrooms that were the only other things located down that long and empty corridor. Wanting to check my facts, I consulted the equally ancient building directory that was mounted right there next to the elevator. There, plain as day (using those funny old plastic white letters that you poke into the plastic backing) read, “Center House Theater: 1st Floor”. Well, hmm. This was disconcerting on so many levels. You will remember that my friend had clearly indicated the 4th floor, but perhaps some mistake? More deeply disturbing, was the fact that I was presently already on the 1st floor. This combined with the fact that the nice little sign (remember the sign?) had clearly indicated that I should turn right down this corridor, made me seriously pause. I turned and eyed the restrooms again…but no.
I decided to throw caution to the wind and go up the fourth floor, for you see my friend is very reliable with this kind of reconnaissance. I boldly pressed the “up” arrow and waited…and waited. Checked the arrow again: Yes, it was lit up. Waited. Checked again, that light was rather dim. Pushed it a couple of times for good measure. And then just when my courage was failing me, I heard the elevator making its way down to the 1st floor, accompanied by an interesting collection of clinks and clanks. Finally the doors opened and I stepped in. Whew. I suspect that I wasn’t the only one with this very same dilemma as those doors came grumbling open on every floor as we went up, permitting other play-bound folks to squeeze in with a sigh of relief. Misery does love company. The mob came in handy when we disembarked on the 4th floor, as I discovered that at least one amongst us apparently knew the way when they strode confidently off to the left and down a hall and around a corner and finally through a non-descript doorway.

Eurika! We had found it. There at a little table was Will Call and my very own name was emblazoned there on the list. Reassured, I, too, walked confidently into the main room, where I found a charming theater with seats to accommodate around 45. Seated there in the front row were my friends, and with a mere moment to shut off my phone the play began.
Cash on Delivery turned out to be a delightful British farce wherein the playwright made the somewhat odd decision to introduce a main character who is rather far down the path of defrauding the British government. Those brave Brits can make anything funny it seems. Michael Cooney certainly succeeded in milking Cash for laugh after laugh. In Cash we follow the main character, Eric Swan, as his web of deception and fraudulent impersonations begins unraveling with disastrous and hilarious results. One should keep in mind that this is a
Next Step Production , which means that the actors and production crew are not necessarily professionally polished, but rather are honing their skills. This fresh-faced approach was quite an enjoyable perspective on this fast passed romp. And for 11 bucks it’s hard to beat Cash for entertainment value!